Keeping the tradition alive.
Hello and welcome to my blog, dedicated to exploring the traditional operatic singing method pioneered by Arturo Melocchi and Marcello del Monaco. I’m Ignas Melnikas, a professional singing teacher and opera singer (bass-baritone).
My journey with the Melocchi technique began over a decade ago, driven by a deep curiosity about this nearly forgotten method and the remarkable singers who mastered it. I’ve had the honor of studying under the direct tutelage of students of Mario and Marcello del Monaco, which has provided me with a profound understanding of the practical applications of this esteemed vocal technique.
With over a decade of teaching and performing experience, I’ve performed at prestigious theaters including Teatro Regio di Parma, Auditorio de Tenerife, Teatro Rossini di Pesaro, Teatro Donizetti di Bergamo, and Teatro San Carlo di Napoli. Additionally, my students have achieved success on notable stages such as the Vienna State Opera, Teatro Carlo Felice di Genova, and Teatro San Carlo di Napoli, as well as at various festivals.
Recognizing the global decline in the teaching of operatic singing, I am dedicated to preserving and sharing the Melocchi technique—a method that shaped some of the greatest opera singers of the 20th century. This technique, founded on precise physiological instructions and exercises, trains the laryngeal muscles to develop voices with exceptional volume, clarity, and range. Melocchi's reputation as "The Builder of Voices" attests to the technique’s effectiveness. My mission is not only to provide information about this method but also to explore its history and evolution.
On this blog, you’ll find translated videos and interviews with students of Arturo Melocchi and Marcello del Monaco, articles on the physical functions of the vocal apparatus, and practical advice for developing your voice using this historic method. Stay tuned for exclusive interviews with renowned singers and in-depth articles on various aspects of the Melocchi technique.
Warm regards,
Ignas Melnikas