The Core of the Melocchi Technique: Lowering the Larynx
Let’s delve into the most crucial component of the Melocchi technique: the act of lowering—or sinking—the larynx, known in Italian as Tecnica dell’affondo. While there are many interpretations of what this technique involves and how it should be executed, its goals are clear: to create a voice that is powerful, resonant, and free from constriction.
Lowering the larynx enlarges the pharyngeal space—the primary resonator of the voice—resulting in a tone that is darker, richer, and more focused. When combined with a raised soft palate, the vocal tract takes on a tube-like shape that optimizes acoustic resonance. Holding the larynx in this low position also allows the cricothyroid muscles to lengthen the vocal folds without compressing the resonating space. The result is an open throat and a consistent, balanced tone throughout the singer’s range.
By contrast, when the larynx rises, the vocal tract shortens and the throat begins to close, especially in the zona di passaggio (the passaggio or transition zone). At this point, singers face a dilemma: either lighten the sound—leading to a small, nasal tone—or push through the passaggio, risking a shouty quality and vocal strain.
The difficulty lies in the fact that this low laryngeal position is unnatural for most speakers. Everyday speech tends to use a neutral or slightly raised larynx, so retraining the laryngeal muscles demands specific vocal exercises and, initially, a period of adjustment. Beginners often experience fatigue in the early stages, as the muscles are not yet accustomed to working in this deeper configuration. Over time, however, the muscles strengthen, and maintaining an open throat becomes effortless. With that comes greater stamina, control, and vocal freedom.
Among the most effective methods to train this position are those that mimic reflexive actions: inhaling as if beginning a yawn (a strategy often cited by Franco Corelli), or imagining the sound being drawn inward as if drinking or inhaling it. These sensations help override the body’s instinct to raise the larynx on high notes and instead reinforce a grounded, resonant tone.
In future posts, I’ll explore specific exercises used by Arturo Melocchi and Marcello del Monaco to develop and stabilize this deep laryngeal posture in their students.
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